Alison Killing thinks a lot about death … and specifically, how its ubiquitous, hidden presence shapes our cities. In Death in Venice, her June 2014 exhibition on the topic, Killing mapped London’s death-associated architectural features — hospitals, cemeteries, crematoria, and so on — making visible the invisible mechanics of death and dying. She asks us to consider: What might a good death experience mean today? And how can we design differently for the dying, as well as those caring for them?